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Nineteenth-century Modernista architects championed nature in their designs. Granted, the domed rooftop and painted floral designs of Casa Estapé, a Modernista private home designed by Bernardí Martorell i Rius, couldn't exactly grow in a forest. _____ one sees natural influences in Martorell i Rius's penchant for curves (rather than right angles) and plant- and animal-inspired flourishes.