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Text 1
To many artists in the mid-nineteenth-century United States, the American wilderness symbolized innocence and untouched beauty. So George Inness's decision to foreground a railroad in his 1855 painting The Lackawanna Valley is notable, since images of railroads often alluded to the destruction of wilderness in the name of progress. In fact, art historian Nicolai Cikovsky Jr. argues that Inness glorifies the subject of the railroad by painting a scene that suggests hopefulness rather than devastation.
Text 2
It is impossible to deduce anything about George Inness's own views on the railroad from The Lackawanna Valley. The painting was commissioned by the Delaware, Lackawanna, and Western Railroad to serve as a promotional image. Because Inness was directed on what to paint to appease the company's investors, the artwork's optimistic tone reflects commercial requirements rather than the artist's personal feelings.
To many artists in the mid-nineteenth-century United States, the American wilderness symbolized innocence and untouched beauty. So George Inness's decision to foreground a railroad in his 1855 painting The Lackawanna Valley is notable, since images of railroads often alluded to the destruction of wilderness in the name of progress. In fact, art historian Nicolai Cikovsky Jr. argues that Inness glorifies the subject of the railroad by painting a scene that suggests hopefulness rather than devastation.
Text 2
It is impossible to deduce anything about George Inness's own views on the railroad from The Lackawanna Valley. The painting was commissioned by the Delaware, Lackawanna, and Western Railroad to serve as a promotional image. Because Inness was directed on what to paint to appease the company's investors, the artwork's optimistic tone reflects commercial requirements rather than the artist's personal feelings.