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Unlike the sprawling, permanent mural installations of David Alfaro Siqueiros and other contemporaries of the Muralismo Mexicano movement, the easily reproducible block print posters that Francisco Mora and Elizabeth Catlett created as part of the printmaking collective Taller de Gráfica Popular (TGP) were highly portable. _____ the prints were a boon to the TGP's goal of spreading their artwork throughout Mexico and the world beyond.