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Roy McLendon’s Moonlit St. Lucie, a riverscape featuring the silhouette of a single palm tree against the backdrop of shimmering water and a brilliant moonlit sky, is typical of paintings by the Florida Highwaymen, loosely affiliated landscape artists mainly active in Fort Pierce, Florida, during the 1950s and ’60s. Some art historians suggest that Highwaymen paintings played a role in shaping popular perceptions of the state that persist today: the natural iconography that McLendon and colleagues constantly revisited—placid inland rivers, windswept palm trees—is now seen as classically Floridian.