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When used to examine paintings, nonvisible light, such as ultraviolet, can penetrate the painting's visible surface and give art historians important insights into an artist's process. For example, imaging the underlayers of Artemisia Gentileschi's Saint Catherine of Alexandria (1618-20) revealed that Gentileschi originally painted her own face on the figure. Imaging can also provide insights into a painter's choice of materials, showing, for example, whether a painter used titanium oxide pigment in a given work.