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Included in What Absence Is Made Of, a 2017 group exhibition at the Hirshhorn Museum and Sculpture Garden in Washington, DC, was the work of artist Lorna Simpson, who is best known for her multimedia artworks that juxtapose images of African American women with text fragments. Her work challenges conventional notions of race, gender, history, and ______ she is credited with expanding the horizons of conceptual photographic art.