Source Texts
Text
Noting the correspondence of Leonardo da Vinci's Mona Lisa to his self-portrait in red chalk, artist Lillian Schwartz argued that the former is a self-portrait, too—that by mapping his own features onto those of its ostensible subject, Lisa del Giocondo, Leonardo depicted himself as a woman. Indeed, by subjecting both works to digital analysis, Schwartz _____ the two faces' structural resemblance.