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Scholars cite One Hundred Years of Solitude, the 1967 novel by Colombian author Gabriel García Márquez, as a foundational text of magical realism, the Latin American style of fiction in which antirealistic plot devices-often borrowed from the spiritual and narrative traditions of Indigenous and colonial societies in the Americas-are deployed in an otherwise realistic mode of representation typical of the modern novel. This style has exerted a decisive influence on authors around the world, including Keri Hulme, whose 1984 novel The Bone People resembles classic magical realist novels in its juxtaposition of literary realism with cultural traditions-namely, those of the Maori, the Indigenous people of New Zealand.