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its adaptation of established fiction genres to Southern contexts. Mark Twain derived his episodic narrative structures and roguish heroes from the picaresque novel, and William Faulkner realized the decadent aristocrat, the imperiled heroine, and other character types of the Gothic novel as rural Southerners who were more contingent, more caught in the net of societal relations and history than the fantastical figures of the Gothic had been. Some of the region's poets, such as James Dickey, have shown even greater dexterity by adapting these sources in an altogether different literary form.