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Many contemporary Indigenous painters practice a specifically Indigenous mode of abstraction; for example, Dyani White Hawk assembles compositions out of motifs common in the beadwork and other traditional arts of her tribe. In contrast, the prominent Indigenous practitioners of abstract painting during the mid-twentieth century, such as the Luiseño artist Fritz Scholder, typically aligned their compositional strategies with Abstract Expressionism-a school of painting dominated by European American artists-instead of with traditionally nonrepresentational forms of Indigenous art. Thus, in the case of Scholder's generation, the identification of an abstract painting as Indigenous art tends to ________