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The following text is from José Rizal's 1891 novel The Reign of Greed (translated by Charles Derbyshire in 1912).
In his solitary retreat on the shore of the sea, whose mobile surface was visible through the open windows, extending outward until it mingled with the horizon, Padre Florentino was relieving the monotony by playing on his harmonium sad and melancholy tunes, to which the sonorous roar of the surf and the sighing of the treetops of the neighboring wood served as accompaniments. Notes long, full, mournful as a prayer, yet still vigorous, escaped from the old instrument. Padre Florentino, who was an accomplished musician, was improvising, and, as he was alone, gave free rein to the sadness in his heart.
In his solitary retreat on the shore of the sea, whose mobile surface was visible through the open windows, extending outward until it mingled with the horizon, Padre Florentino was relieving the monotony by playing on his harmonium sad and melancholy tunes, to which the sonorous roar of the surf and the sighing of the treetops of the neighboring wood served as accompaniments. Notes long, full, mournful as a prayer, yet still vigorous, escaped from the old instrument. Padre Florentino, who was an accomplished musician, was improvising, and, as he was alone, gave free rein to the sadness in his heart.