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The Silence of Dean Maitland is one of twenty-five works from the nineteenth and early twentieth centuries reissued in 2020 in a project professing to give overdue credit to authors by replacing nonfemale pseudonyms with the authors' given female names (crediting Mary Tuttiett rather than Maxwell Gray, in this case). Olivia Rutigliano and other scholars cite a lack of nuance and erasure of intention in the implication that pseudonymous identities were invariably necessary due to social roles, appropriately contending that what may have been a constraint for some was an elective exercise in self-fashioning for others.