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Unlike the sprawling, permanent mural installations of Aurora Reyes Flores and other contemporaries of the Muralismo Mexicano movement, the easily reproducible block print posters that Alberto Beltrán and Jean Charlot created as part of the printmaking collective Taller de Gráfica Popular (TGP) were highly portable. _____ the prints were a boon to the TGP's goal of spreading their artwork throughout Mexico and the world beyond.