In popular song culture since at least the Middle Ages, contrafacta—compositions featuring original lyrics set to existing song structures—have been frequent tools for promoting religious and political causes. __________ parodic songs like “Spam” by “Weird Al” Yankovic (a contrafactum of R.E.M.’s 1989 hit “Stand”) demonstrate the parallel yet equally potent role that humor and satire have played in the contrafactum tradition.
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Verbal·Expression of Ideas·Transitions
mediumWhich choice completes the text with the most logical transition?
A
By contrast,
B
For example,
C
Specifically,
D
Fittingly,